Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
Letter to a Man Teatro Caio Melisso Spoleto, 2015 (photo courtesy of Change Performing Arts)
“I consider myself truly lucky to have made three projects with Misha. Able to engage the audience with even the most minute of gestures, he is the paragon of a performer: professional, gracious, and superlatively talented. In this jewel of a show, he took to the stage alone, expressing the thoughts, feelings, delusions, and very essence, of another master, Vaslav Nijinsky.”