A.J. Weissbard
art, direction, and design, with light and space
“The entire set was at a 30° angle relative to the proscenium so almost no traditional lighting bars could be used. Oh, and there were no borders so the lighting had to be hung as high as 14 meters from the floor. And, oh, and the chandelier went up in flames each night, and oh, that giant wall fell down. Yeah...it’s opera.”